During the relocation of the taz in November 2018, I photographed processes, premises, supporting hands, flying boxes, things left behind, the past, and the new. I had already addressed the topic of relocation as a virtually undocumented event in other photographic works. Why is this turning point so rarely captured photographically, even though a move initiates so much change?
In the dynamic exhibition in the new taz building in September 2019, the images appeared as if they were parked, occupying the space, and new collages were constantly being formed by sorting and parking them. The temporary moments of a move are reflected in this type of temporary presentation.
The viewers were invited to intervene and create new combinations and arrangements of the images themselves.
With heartfelt thanks to the Michael Horbach Foundation, Brigitte Werneburg, Sophie Richter, and everyone who made the project possible.
Announcements by the taz, Relocation as a work of art:123
